Available to buy here.

More than 70 collaborators from around the world are gathered together in this publication. You’ll find works of Adrián Madrid, Alexander Kostinskyi, Alfonso Almendros, Amir Kuckovic Kuckovic, Ana Cabaleiro, Ana Darder Pizá, Andrea Canepa, Anka Kuprian, Ariel Chiesa, Beatriz González, Ben Mauze, Beric Henderson, Berta Pfirsich, Bez Uma, Birgit Krause, Brais Gen, Brecht Vandenbroucke, Bruno Bernardi, Carla Fernández Andrade, Carles Rodrigo Monzó, Carolina Jimenez, Cendrine Rovini, Chris Jones, Claudia Pérez Gallardo, Daniel Grant, Danny Mendoza, Darius Kuzmickas, Dawn Dudek, Dimitri Karakostas, Edgar MT, Fenk, Fermín Rodríguez, Flora Egécia, Fredrik Holmér, Gabriel Miller Tafra, Germán Peraire, Giuseppe Violetta, Glenn Moust, Hazel Castle, Hélène Jeudy, Hollis Brown Thornton, Ibán Ramón, Jesse Draxler, João Cruz, Jordi Ciurana, Julian Garnés Garcia, Kai Chan, Katty Bouthier, Kevin Gutierrez Haugen, Kirill Savateev, KOKOFREAKBEAN, Krysthopher Woods, Lara Costafreda Oromí, LNY, Lola Guerrera, Lucas Mercado, Maria Mantella, Martin Schleifer, MAYO, Penny Davenport, Quitolomalo (Cristòfol Pons), Rebecca “Rebechan” Bossi, Roberto Goya, Sacha Fédérowsky, Sally Faulkner, Sara Holbert, Sarah Vo, Sophie Xu, Steve Loya, Svetlana Sobcenko, Tex Crick, Tuane Eggers, Tyler Morgan, Víctor M. Fernández, Wish Thanasarakhan & Zaida Vidal.

+ Interviews with: Germán Peraire (photographer) & Danny Mendoza (illustrator) by Lara Costafreda

We’re planning an exhibition of this publication (+ our published photography books) at the contemporary photography gallery “Gatos de Marte” in Murcia (Spain). The inauguration will be on 14th April, the second anniversary of the first Carpaccio Magazine issue published. More info soon….

Take a look here:

Kai Chan website: kyliechan.blogspot.com/

25% off now through 21st March!

You can buy:

• Carpaccio Guide to emerging illustrators, photographers & artists Vol. 3,
• Carpaccio Magazine Issue #10: “The Impossible is possible, tonight”,
• Carpaccio Magazine Issue #11: “Flowers must be born every instant”,
• Carpaccio Magazine Issue #12: “My Dear, these things are life”.

This is a great opportunity to get your copy with a great discount!

FIBArt wants to aproach Benicàssim beaches to the new emerging contemporary art. They’re looking for a simbiosis between works and environment.

FIBArt selects every year several artists from a public call to exhibit their works on Benicàssim beaches & on the Festival venue.

The deadline for projects starts on Monday 1 March and ends on Monday 15 March 2010.

More info (only spanish): arte.fiberfib.com/

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FIBArt acerca a Benicàssim el arte contemporáneo emergente. Sus playas se convierten durante unos días en una gran sala abierta. Buscan la simbiosis entre obra y entorno, acercando diferentes manifestaciones artísticas tanto a vecinos y visitantes de la localidad como a los asistentes al Festival.

FIBArt selecciona cada edición a varios artistas a partir de una convocatoria pública para que exhiban sus trabajos tanto en las playas de Benicàssim como en el recinto del Festival.

El plazo de presentación de proyectos comienza el lunes 1 de marzo y finaliza el lunes 15 de MARZO de 2010.

Más info: arte.fiberfib.com/

We’ll publish Issue #11: “Flowers must be born every instant”, an issue about hope, flowers, working hard and the need to grow up every instant…

You’ll find there 32 collaborators from around the world: Sweden, Croatia, Israel, Palafrugell, Ukraine, Valencia, Milan, Sao Paulo, Ontario, Taiwan, Melbourne, Moscow, Helsinki, Netherlands, Punta Arena, Uruguay, Madrid, La Bisbal d’Empordà, Barcelona, Berlin, Tenerife/Berlin, California, Georgia,…

There’ll be an interview with Levan Kakabadze (+ a portrait of him by Maria) and a double interview with Rafa Castells & Alba Yruela (+ a portratit by Maria).

Can’t wait to see it! :)

His works have been published in Carpaccio Magazine Issue #3 and Issue #5.

Charlie Engman website: flickr.com/cengman

Neil Krug & Joni Harbeck are working together to create the “Pulp Art Book”.

CM: Why “Pulp”?

Hhhmmmmmmm, great question.  We suppose maybe because it was never anything else in our minds but PULP and the ideas and characters we have created for this project.  Both of us are inspired by similar things and are visually expressive in similar ways, so often one of our ideas was actually both of our ideas once it was mentioned.  Often one of us has a thought and the other takes it further and it builds and builds between the two of us.  The vintage, raw look of PULP and its concepts and controversial themes are expressions of what makes us tick.  The JACKIE vignette is a great example of us pointing out in a shocking way how one unhappy event can lead to the demise of a person, whether it is a fantasy in their head or it actually happens.

CM: How and when this project was conceived?

PULP actually became PULP ART BOOK by the surprising reaction and following we achieved online by posting photos we were taking for fun.  Late one night last january we were shooting Polaroids in our bedroom with a handmade indian headdress and a cigarette and once it posted online it blew up.  Soon after, we decided to do a small book of our ideas and photos.  Soon after that, it became this full-fledged coffee table book  with different series and characters and hundreds of images.

Selling limited editions prints came much later when we were faced with needing something to sell or pitch to the public for an interview we were doing for The New York Times since the book was not ready for sales yet.

CM: What are your influences?

Our influences range from all forms of art, however PULP is especially tied to the artists of all mediums of the 1950s/60s/70s, as well as the cultural and domestic dynamics occurring during that time period.

- Which is your favorite camera? Why?

Our favorite camera is everyone we use! each camera interacts with the shot differently, each one distorts the colors differently, each camera captures the focus differently…

For PULP we are fond of Polaroids and expired films…especially since we are re-inventing and expressing the vintage past, it only seems fitting to use the camera methods and film of that era.

CM: Do you plan your photos or are they spontaneous?

Our ideas for the vignettes, in turn the photos themselves, are fairly complete ideas before we go and shoot.  We have discussed at length the overall idea of what we want to capture, the mood, the angles and photos we envision beforehand.  While shooting we usually capture what our plan was, however there is always the element of spontaneity…using both methods is the only way to go otherwise it’s too rigid or too unfocused.

These photos were published in Issue #6 of Carpaccio Magazine and in “Carpaccio Guide to emerging illustrators, photographers & artists Vol. 2″

Neil Krug & Joni Harbeck “Pulp Art Book” website: pulparbook.com

Coquinete is a photographer from Vigo, Spain.

Ana (or Coquinete) works have been featured in Issue #4: “We still believe in Paradise” and in “Carpaccio Guide to emerging illustrators, photographers & artists Vol.2″ and will be featured in Issue #11: “Flowers must be born every instant”.

Ana’s flickr: flickr.com/photos/coquinete

Peter Puklus is a fine art / editorial photographer living and working in Budapest, Hungary.

He is finishing his DLA (Doctor of Liberal Arts) studies in photography at the Moholy-Nagy University of Art and Design, Budapest. His works has been published recently in The Room design and fashion magazine. He recently showed his series entitled ‘Intimacy – No Title’ at Fotofestiwal 2009, Lodz, Poland. He participated different group shows through Europe.

Peter Puklus photos have been published in Carpaccio Magazine Issue #2 and in “Carpaccio Guide… Vol. 1″.

Peter website: peterpuklus.com